"Sin City 2"
The novel “A Dame to Kill For” has been translated into film language. It is known how long and inconsolably the modern classic comic Frank Miller wandered around in search of his director; the film adaptations upset him. Here the inextinguishable Robert Rodriguez appeared, who, at his own peril and risk, filmed an episode of the future film. In his direction, Miller saw the onslaught of a matador, a volcanic mixture of genuine cynicism and melancholy. But most importantly, Rodriguez was a devoted fan of Miller's comic book Sin City. And Frank Miller, like many authors, dreamed of directing. Rodriguez invited him to the set as co-director. Most likely, the creator and forefather of “Sin City” became like a tuning fork to him. After all, everyone knows that the more incredible the fiction, the more believable its components should be.
This is how their brainchild was born - the film “Sin City” (Tarantino, at that time a great friend of Rodriguez, also became a guest director), an art thriller that, with a budget of forty million, grossed more than $158 million worldwide. But legal delays prevented the filming of the sequel from starting immediately. And now Miller’s entire army is having fun and rejoicing: the long-awaited (almost 10 years) “A Dame to Kill For” comes out on our screens simultaneously with the world premiere in a record number of copies (1,700!).
In the lyrical prologue, the thug Marv (seven feet tall on three hundred pounds of iron) with a mangled cake for a face (Mickey Rourke) among flowerbeds of expensively dressed corpses tries to “remember everything.” And thus gives fans the opportunity to mentally return to the first film and make sure: we are in the same cheerful hell, where girls in bikinis kill cops and well-meaning idiots, where lawless senators rule, where power and machine-gun strokes of the Uzi rule, where charm fatal beauties are stronger than piles of muscles. In general, this is the same black, black city, the Atlantis of the noir of the forties, which has long sunk to the bottom of world cinema.
Tired of the betrayals of his ex-girlfriend, Dwight (Josh Brolin with his face heavily smudged with makeup) is trying to take revenge on the divine Ava (Eva Green). The insidious traitor, as before, plays with him: she pulls the strings of his nerves, like a puppeteer on a puppet. Pure stripper Nancy (Jessica Alba) still can't accept the death of her knight Hartigan (Bruce Willis), who saved her in the first film. However, in Sin City, where death is around every corner, heroes do not die. Freethinking authors make use of death itself. “They Come Back” (Marv, Goldie, Hardigan), both to protect the weak and to please loyal viewers.
Rodriguez and Miller, denying a consistent story, plunge the action into zigzag rushing time. Therefore, “The Woman...” can be called both a sequel and a prequel in relation to the first part. In Sin City, the past brazenly crosses the path of the future, and the present is compressed in the frantic rush of events intertwined with the plot. The through line is the novella “A Dame to Kill For.” But in addition to the plots memorized by fans, the authors include two new stories in the picture. About the son of Senator Roark, the adventurous gambler Johnny (Joseph Gordon-Levitt), who risked challenging his father (“Fragile power must show deadly force”). In “Nancy’s Last Dance,” an impulsive blonde tries to cook a “cold dish of revenge”... who, of course, herself needs protection.
The characters in this politically incorrect comic book movie are people (not two-headed monsters, not winged mice, not vampires). Politicians and policemen, bandits and prostitutes, scumbags and naive romantics. In general, everything is almost like in life. And when the manipulative goddess Ava takes the fools in love with her into slavery, you can’t help but think: “I’ve already seen this somewhere.” The retelling is entirely cliched rhymes, like “love is blood.”
The film was shot against a green screen using almighty CGI programs. Computers return comics to their natural property of exaggeration, refuting the idea of cinema as the art of physical reality. Neo-noir drowns in cigarette smoke, jumping out of the screen in 3D, “kisses on wet asphalt” and extreme close-ups (Ava Lord’s scarlet lips whisper: “Kill him”). The cruelty is shaded by Rabelaisian pomp and darkly cheerful film acting. We can say that this is a hand-drawn movie with actors, made with photographic precision. Thus, in Greenway’s “Draftsman’s Contract,” specific details indicated a crime.
Rodriguez remains true to himself: he does not film Miller’s graphic novels, but arranges them visually, then performs them together with an orchestra of actors and artists under computer control.
"SC" - for Rodriguez - is a closed, neurasthenic space. Tarantino's eccentricity, devoid of hypnotic dialogues, fight choreography, black and white style interspersed with scarlet, yellow, pink and blue. Heads and hands with inseparable machine guns fly apart like fountains, blood flows like rivers of milk. And when the audience resolutely shouts: “Doctor!”, he immediately appears - the extravagant fanatic Aibolit (Christopher Lloyd) treats without anesthesia, cheaply and cheerfully (the best episode of the film).
Good and evil dance black and white tap dance in sync. The bastards and the heroes are just as contrasting, but, as Rodriguez loves, at some point they easily switch places. In the dystopian SC, human flesh is a pyramid of evil and violence. But even here there is a rule... do not kill without a reason (however, there will always be a reason).
In steeply cooked pastiche, the action is concentrated to a concentrated solution. But unlike the first “City...”, virtual carnival No. 2, devoid of novelty, has less directorial drive. However, this is unlikely to affect the box office success of the long-awaited hit.
It is unknown whether the multimillion-dollar SC fan club would have waited for the new film if not for producer Alexander RODNYANSKY. His company AR Films not only financed the project, attracted co-producers and investors, but is also involved in its international distribution. Among Rodnyansky’s production projects are “Cloud Atlas”, “Jean Mansfield’s Machine”, “Machete Kills”...
Novaya: How did the collaboration with Rodriguez come about?
AlexanderRodnyansky: This director has always been interesting to me. I especially liked Sin City. Soon after filming “The Machine...” we were introduced by mutual friends. We met in Austin. He showed many different genre projects, including science fiction ones. But I was fascinated by “Sin City”; the style of the film was clear. And at night I read the magnificent script by William Monahan (Scorsese won an Oscar for “The Departed”). The decision was taken.
— There is an opinion that an “outsider” cannot make it in Hollywood. How did you promote the project?
— We completely organized this project: financial model, organizational, production, distribution. But first they cleared away a mountain of legal problems. After all, the script was written many years ago for Angelina Jolie.
— The budget is serious, $80 million. How was it collected?
— As usual in American independent cinema. Quite large pre-sales all over the world. We sold the rights in each country to large distributors. In America, the Weinstein brothers invest money in promotion. Lots of private investment. Tax breaks allow you to include a financial return mechanism. But Rodriguez does not want to move from Texas (for example, it would be more profitable to film in Louisiana). He has his own studio there: an office, in the office there are cameras in all the pavilions and “workshops”. In fact, the shooting took place there. If an actor could come for the weekend, Rodriguez would shoot all his scenes in two hours. He doesn't cast actors together. For example, Lady Gaga came to Houston for concerts. He invited her and filmed a great episode with her.
— The film was shot against a green screen. Therefore, the roles of the computer studio and animators cannot be overestimated.
— Of course, Rodriguez previously worked with a Canadian company. We suggested an Indian one, located in Los Angeles.
— All solutions — Did Rodriguez take on everything from casting to styling nuances?
— Him and Frank Miller, of course. The visual sensation, the atmosphere of this strange world was invented and thought out by him thoroughly. Miller was on the court the entire time. You can see him in the frame, he’s sitting at Candy’s bar.
— Stars of this magnitude are an expensive story.
— We must give Rodriguez his due: the stars love filming with him. In Hollywood, it’s considered “cool” to come to him, take pictures, chat, go to a Mexican restaurant. He is considered a unique director.
— How can we talk about the ensemble in this case...
- Well, this is a special genre. Noir + comics. I don't think anyone outside the US can do something like this.
- Work on the script for Sin City 2: A Dame to Kill For began back in 2007. Filming was planned to begin in 2011, but was postponed several times due to the script, which Frank Miller had to write specifically for the film. In 2012, the cast was officially confirmed and filming began, but the premiere of the film was postponed until 2014, since the sequel to another Robert Rodriguez film, “Machete Kills” (2013), was released.
- The producer of the film, Alexander Rodnyansky, explained the reasons for the postponement of filming as follows: “It was inevitable. Two films by Rodriguez in a row at the box office simply “wouldn’t go wrong” with each other: they will be released on a very large number of screens and will be accompanied by large-scale advertising campaigns.” It's telling that with such confusion, both Sin City 2 and Machete Kills ended up being huge box office flops.
- The film is based on Frank Miller's graphic novel series A Dameto Kill For and Just Another Saturday Night. Both segments are prequels to the first film, Sin City.
- The seven years that separated the two parts of Sin City forced major adjustments to be made to the cast of the second film. Brittany Murphy and Michael Clarke Duncan passed away, requiring Robert Rodriguez to find other actors to play the roles. And if Shelley was taken out of the plot, then the big man Manut (the role of Duncan) was played by Dennis Haysbert. Another actress for the role of Miho was also needed because Devon Aoki was expecting a child. She was replaced by Jamie Chung. Jeremy Piven replaced Michael Madsen, who refused to appear, in the role of Bob.
- The role of gambler Johnny was originally written for Johnny Depp, but the actor was forced to leave the project due to inconsistencies in filming schedules. Later, Joseph Gordon-Levitt was invited to take his place, who agreed, despite the fact that he had offers from such projects as Guardians of the Galaxy (2014) and Godzilla (2014).
- Joseph Gordon-Levitt initially spoke out against Lady Gaga's participation in the film. But as soon as the first take together was performed, he was stunned by her theatrical talent. According to Joseph, she perfectly revealed all the features of her character. Subsequently, the actors became good friends and collaborated again several times.
- Salma Hayek, Angelina Jolie, Rachel Weisz, Michelle Williams, Rose McGowan, Helena Bonham Carter, Anne Hathaway, Scarlett Johansson and Jennifer Lawrence auditioned for the role of Eva Lord, but the role ultimately went to Eva Green.
- Christopher Lloyd's cameo appearance in the film was crowned with an apt reference to the most famous character played by this actor. The uncouth, never-drying surgeon, patching up his patients with a crooked hand, is either mockingly or for real called “Doc” - just like Dr. Emmett Brown from the “Back to the Future” trilogy.
- The role of Dwyatt McCarthy, who was played by Clive Owen in the film Sin City (2005), was played by Josh Brolin in the sequel. In the story, Brolin plays McCarthy in the period before plastic surgery to change his face. Shelley (Brittany Murphy) mentioned this operation in passing in the first film.
- The entire film was shot on a green background. At the same time, the only props on the set were doorways, stair steps, and such basic objects as tables and chairs. Everything else was drawn using computer graphics. And so that the actors could feel where they were, they were shown 3D models of these places before filming.
- The film's poster, which features actress Eva Green, was banned from distribution in the United States. According to censors from the Motion Picture Association of America, the naked girl on the poster looks “overly sexy.”
- Robert Rodriguez insisted that the film be shot in 3D instead of being converted to that format in post-production. Having experience with Alexa cameras, the director was well aware of the capabilities they provide.
- Eva Green and Marton Csokas played a married couple in the sequel, and in real life, Eva and Marton dated for almost five years, having met in 2004 on the set of the film “Kingdom of Heaven.”
- This is the second collaboration between Frank Miller and Eva Green. Previously, Eve played the role of Artemisia in the second part of “300,” based on Miller’s comic book.
- In the scene where Marv is first shown at the bar, comic book writer and director Frank Miller is sitting next to him. He also plays one of the characters in the movie that Nancy watches on TV.
- Despite the fact that, unlike the previous film, Quentin Tarantino had nothing to do with the filming of the sequel to Sin City, he still made some contribution to Rodriguez’s project. Before the screening of this film, a teaser for Tarantino’s new film “The Hateful Eight” was shown in cinemas.
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Errors in the film
- An amusing semantic blunder encounters the viewer literally in the very first scene. Marv, who is sitting in the alley, is attracted, in his words, by the smell of gasoline and burning human flesh, but why not the heart-rending screams of stupid teenagers burning a victim alive? Does Marv have hearing problems? And the sadistic gopniks, apparently, have a simple calculation of their strength, since there is no other explanation for why they (armed with pistols!) were afraid of an unarmed thug and fled in fear.
- There is a complicated situation with Cardinal Roark (Rutger Hauer's character), whose executed face is on the front page of the latest newspaper, but Marv's prologue chronologically precedes the events of the first film, therefore, the cardinal must still be alive and well.
- There's a similar problem with the black bruiser Manute, who is supposed to be dead at the time of the events shown in the prologue to "Another Saturday Night."
- As this film convinces, having a gun guarantees safety when confronted with Marv. At the very least, a street thug who claims that he is a “damn good shot” and does not shoot at a defenseless enemy turns himself into an easy target. With his body dangling in a noose, by the way, it’s also a rebus, since he disappears without a trace when the frame changes.
- During a sex scene, which Dwight films, the strange myopia of the copulating lover raises questions. Even in a fit of passion, she should have noticed the uninvited photographer positioned on the glass roof of the mansion. No less strange is a high-status lover who intends to shoot his passion with a pistol (with a silencer!), but at the same time cannot realize what he has left behind, having just had sex with her.
- Dwight McCarthy has a strange attitude towards his dangerous job. For some reason, he considers the most unpleasant part of it not to be the shooting of the customer’s unfaithful husband (which would be more logical), but the road to receiving his fee and its delivery itself. Dwight even makes an unnecessary detour a couple of blocks away to delay receiving his earned money!
- According to Dwight, Katie's Bar, where Nancy dances, is just one of the many hangouts in Sin City. But somehow it turns out that all the main characters of the film, without exception, find themselves in it. Nancy herself, as far as one can understand, works there as a stripper without a break, or her shifts conveniently coincide with the visits of all interested parties.
- The very presence of the indestructible Marv is almost the main logical hole for the film, since, for example, a bunch of armed guys, under the leadership of Manut, rush at him in hand-to-hand combat, instead of just shooting the thug.
- How does Dwight know the exact address of Eva Lord's house and the location of its rooms? With a clear understanding of where and what is.
- Armed with a revolver, Ava, as if paying homage to the cliché of a typical eighties action movie or 007 film, does not shoot the screwed-up Dwight with a bullet in the forehead, but prefers to “extend the pleasure” by fully revealing her duplicity.
- Several fatal wounds (including in the eye), a fall from a second-floor window, long journeys to the old part of the city, bleeding - for some reason they are not able to kill the life-loving Dwight McCarthy.
- The main prostitute of the city and also its major criminal authority, Gale, is apparently not such a well-known person, since, without fear of recognition, she calmly shows up at Eva Lord’s house under the guise of a servant. And what’s more, she very fortunately ends up close to the mistress of the mansion, who has not found a better place and time to discuss criminal plans other than a hall full of strangers.
- Having already undergone plastic surgery, Dwight returns to his ex-lover Ava and unloads a whole pistol clip into the bodyguard's chest. Despite this, for some reason he does not stain the small pool where his heavy body falls with his blood.
- Is it so easy for an unknown newcomer, the smug gambler Johnny, to get into a secluded room where an impromptu casino has been set up for the biggest tycoons of Sin City?
- Johnny seems so confident in himself that he has absolutely no sense of self-preservation. Why he, knowing full well who Senator Roark was and how dangerous he was, did not rush off to hell with the big win is difficult to understand. Instead, Johnny calmly accompanies Marcy's casual acquaintance home.
- Senator Roark, however, does not lag behind his young counterpart, since he had every chance to immediately show the impudent man who beat him who was boss, but instead he let him leave, and only then deigned to get even. Did he wait until the dish got cold?
- The location and nature of the scars on Nancy's face change from scene to scene, and in one of them (the last story with Marv from the first film) they are completely absent.
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Plot
Beware, the text may contain spoilers!
Marv comes to his senses on the street and remembers how this long night began, remembers how he could not stand the insolence of the major students who mocked the homeless, drove them into the Old Town, and now they are lying like cold corpses on the ground. Marv goes to the bar to have a drink and watch his favorite Nancy dance.
There, in the office building, the most powerful man in the city, Senator Roark, plays poker. Lucky Johnny beats him, takes the money and leaves for a party with the stripper Marcy. Roarke sends his men on Johnny's trail.
While dancing, Nancy notices Roarke leaving, aims a revolver at him, but does not dare to shoot. She dreams of taking revenge on the senator for the death of Detective Hartigan, who protected her from Roarke's son. Hartigan's ghost does not leave Nancy, but cannot help her.
His ex-lover Eva Lord comes to Dwight McCarthy and asks for protection from her fanatic husband. Despite the fact that Dwight swore to trust Ava, he falls for her charms and, with the help of Marv, commits reprisals against Ava’s husband. Having become a rich widow, she admits that she was simply using Dwight and is now going to set the police on him. Dwight and Marv barely escape and find refuge in the Old Town. Enlisting the support of local prostitutes, Dwight changes his appearance, enters Ava's mansion and puts an end to their difficult relationship with a point-blank shot.
Roarke's men beat and maim lucky Johnny and kill Marcy. Johnny challenges Roarke again and beats him again at poker. Unable to bear the humiliation, Roarke personally puts a bullet in Johnny's forehead.
Nancy has reached the limit: she cuts off her beautiful hair and disfigures her face with scars. When Marv asks who did this to her, the girl names Roarke. Together they arrive at the senator's mansion, kill the guards and get inside. Roark is waiting for Nancy. He wounds her and prepares to kill her, demanding that she scream like his perverted son wanted, but Nancy beats Roarke and puts several bullets in him, avenging Hartigan, whom she cannot forget.
The film is based on Frank Miller's comics in the noir genre, about a world in which everything has long been rotten, and corruption rules both the authorities and law enforcement agencies. In this situation, bandits become good, and whores protect the peace of citizens. There are definitely no kind and fluffy ones, just like there is no happy ending.
The second plot of the film is the story of Marv (Mickey Rourke), a street thug. He wakes up in a cheap hotel room and discovers that a girl named Goldie (Jamie King), whom he met yesterday, is dead, and they want to pin her murder on him. Marv leaves the police pursuing him and begins to look for the real killers, seeking revenge, without sparing anyone who is involved in this story. Wounded and crippled, he gets to the high-ranking customer of the murder, Cardinal Roark (Rutger Hauer), brutally deals with him and ends his life in the electric chair.
The third plot is the story of Dwight (Clive Owen), a gunman who guards the prostitutes of the Old Town. Having quarreled with the scoundrel Jackie-Boy (Benicio del Toro), he unwittingly leads his gang to the Old Town, where a drunken Jackie-Boy begins to threaten the prostitute Becky (Alexis Bledel) with a pistol and is killed by the sword of the prostitute-killer Miho (Devon Aoki). However, a police badge was found on him, which means that the truce between the police and the prostitutes of the Old Town may collapse, and then the Old Town will inevitably come under the control of the mafia Syndicate, which has long been striving for this. Dwight and Miho try to destroy the bodies of Jackie Boy and his friends, but the mafia is ready to do anything to get evidence of the murder of a policeman in the Old Town, and the main evidence should be Jackie Boy's head. In the end, it all ends in a grandiose massacre between the prostitutes of the Old City, Dwight and the Syndicate militants.
The fourth novella is the story of Hartigan (Bruce Willis), one of the few honest police officers in Basin City. On his last day before retiring, Hartigan pursues a maniac who rapes and kills little girls. The killer is Roarke Jr. (Nick Stahl), the only son of Senator Roarke, who is confident that the police have been bought by his father and he will get away with everything. Hartigan manages to save the maniac's last victim - 11-year-old Nancy - and cripple Roarke Jr. by shooting off his ear, hand and genitals, but his partner shoots him in the back. Not wanting to talk about the only witness Nancy and endanger her, Hartigan goes to trial, refuses to incriminate himself and goes to prison for eight years. The only thing that supports him during these years is the anonymous letters from Nancy that arrive every week. When the letters stop coming, and two months later they send a letter with a bloody finger in the envelope, Hartigan decides that something bad has happened to her. Then he agrees to sign a self-incrimination in exchange for release, hoping that in freedom he will be able to help the girl. It turns out, however, that his release is a set-up so that the surviving but disfigured Roarke Jr. can find an older Nancy (Jessica Alba) and take revenge on Hartigan by killing her. Hartigan manages to complete what he was not allowed to do eight years ago - he kills the maniac, and then puts a bullet in his head to finally cover his tracks that could lead the all-powerful Roarks to Nancy.
The film ends with an epilogue, again involving the unnamed killer (Josh Hartnett). He meets a young prostitute, Becky (Alexis Bledel), from Old Town, in the hospital elevator.
"Sin City" is a film whose release date was set for 2005. Filmed by Frank Miller, the author of the graphic novels on which the film is based, as well as the director. The genre of the film is a crime thriller in the noir style. This special style is visible in the photos and stills - a contrasting black and white picture with accents of color, which could be, for example, the heroine’s blue eyes or blood splashes.
The plot of the film consists of five short stories, some of the characters and events in which intersect. The film was well received by critics and audiences and was widely quoted.
“I love assassins. No matter what you do with them, your conscience won’t bother you,” says Marv.
Mickey Rourke (Marv)
kinowar.comMarv is a street thug, a brute with a disfigured face and a dark reputation. At the same time, he is a person with a strong-willed character and a sense of duty. He experiences platonic love for Nancy Callahan, protects the heroine and patronizes her. The police want to pin the murder of a prostitute on him, and Marv begins to look for the real killers.
American film actor and screenwriter. He became famous after the release of the erotic melodrama “Nine and a Half Weeks” in 1986, where he played the main role - New York investor John Gray, who has an affair with a divorced beauty from an art gallery, played by. Thanks to this role, Rourke received the title of sex symbol. One of the actor’s most famous roles was the role of private detective Harry Angel, which Rourke created in the detective thriller “Angel Heart” directed by Alan Parker, released in 1987.
Jessica Alba (Nancy Callahan)
coub.com Nancy Callahan almost became another victim of the Yellow Bastard, but Detective John Hartigan saved the girl. When the detective is behind bars, Nancy writes him letters every week. The grown-up Nancy is played by actress Jessica Alba.
The actress played the main role in the science fiction television series Dark Angel, which aired from 2000 to 2002, and first became widely known thanks to this role. In 2010, the thriller “The Killer Inside Me,” directed by Michael Winterbottom, was released. Alba played the role of prostitute Joyce Lakeland in this film. One of the last films where the actress starred in one of the main roles was the action-packed action film Mechanic: Resurrection, released in 2016.
Bruce Willis (John Hartigan)
kinosok.org John Hartigan is an honest detective who prevents the maniac Roarke Jr. from killing his last victim, the girl Nancy. Hartigan cripples the maniac, shooting off his ear, hand and genitals, and then goes to prison, because the only witness to the events is Nancy, whom the detective does not want to put in danger, and therefore does not talk about her. When the Yellow Bastard begins hunting for the grown-up Nancy again, Hartigan kills him and then himself to cover his tracks and prevent the all-powerful Roarks from finding the girl.
Since the days of “Sin City”, he has managed to star twice in the next sequels of “Die Hard”. And in 2019, viewers will again see the actor in the role of detective John McClane in the film Die Hard: Year One. In March 2018, the thriller “” will be released, where Bruce Willis will play surgeon Paul Kersey. The hero takes the law into his own hands after his wife and daughter are brutally beaten and raped, and the police do not care.
Elijah Wood (Kevin)
filmz.ru Kevin is a silent cannibal who has killed many prostitutes in the city.
Most viewers still associate him with the role of Frodo Baggins, which the actor played in the “” trilogy, released in 2001–2003. Since then, the actor has managed to work in many projects and change his role considerably. The role of the cannibal Kevin in Sin City is an example of this. In 2012, the actor played the main role in the horror film Maniac. Wood's character in this film is the quiet-looking owner of a mannequin restoration workshop who, because of his prostitute mother, has suffered psychological trauma and now women incite in him a thirst for murder instead of sexual desire. And in the 2013 Spanish film "Grand Finale," Wood plays a famous pianist who develops stage fright.
Carla Gugino (Lucille)
filmz.ru Lucille is the surveillance officer who looks after the Moor. He treats his ward in a friendly manner and helps him out more than once. He protects the Moor in the face of the law and, together with his beloved, treats the hero from a mental disorder.
In 2017, the actress appeared on screens twice. The first was the sci-fi drama “The Space Between Us,” where Carla played a woman named Kendra. The heroine tries to provide maternal care to the hero, who was born on board a spaceship, lost his biological mother during childbirth and grew up in a Martian colony. In the second film, the horror film “Gerald's Game,” which was based on the novel of the same name and released in September this year, Carla played the main role. A woman whose husband died during erotic play and left her strapped to the bed.
Nick Stahl (Roarke Jr., Yellow Bastard)
tmdb.org The Yellow Bastard is the only son of Senator Roark and a maniac who rapes and kills little girls. I'm sure he'll get away with it. First crippled and then killed by honest cop Hartigan, who saved the Yellow Bastard's last victim, teenage girl Nancy.
American actor Nick Stahl became known mainly for his role as John Connor in the science fiction action film Terminator 3: Rise of the Machines, starring him, which was released in 2003. In 2010, the actor starred in the drama film Chameleon, where he played the role of a murderous stepbrother. And in 2008 he played the main role in Bill Maher’s drama Sleepwalking.
Alexis Bledel (Becky)
onlinefilmix.com Becky, a prostitute, unwittingly causes a clash that threatens the truce between the police and the prostitutes of the Old Town. In the epilogue, it is revealed that Becky managed to escape from the Old Town.
Before Sin City, the actress played mainly gentle and domestic girls. To film the film directed by Frank Miller and Robert Rodriguez, the actress had to radically change her role. In 2017, the dramatic television series “” was released based on the novel of the same name by the writer, where Bledel was in the main cast and played the role of the main character’s companion.